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David Shevlino Materials


Shevlino-ARTIST_CARD

Painting Materials

Brushes

  • Filberts, flats of varying sizes.
  • Avoid soft synthetic brushes and brights.
  • Natural bristle and/or STIFF synthetic are best.
  • For stiff synthetics I recommend Princeton 6300 series, Silver Bristle or Rosemary Ivory series.
  • For a natural bristle, any good quality manufacturer will do. (Robert Simmons, Silver brush, Windsor Newton etc.)
    NOTEBring  at least 2 brushes which are ¾” and 1” wide 

 Supplies

  • Medium: Refined linseed oil, but not cold pressed (NO STAND OIL)
  • Odorless paint thinner for rinsing/cleaning brushes
  • Rags or paper towels
  • Palette  AT LEAST 11 x 14 or bigger
  • Neutrally toned gray canvas or panel: Use Dick Blick matte acrylic “warm gray” for toning
  • Panel/canvas  size range 14 x 18 to 16 x 20 inches. Students need 1-2 canvas/panels for each day of the workshop
  • Paint cups or old cans
    NOTE: Bring jars or cans for your thinner at least 3” in diameter
  • Jar with lid for used paint thinner.

Oil colors

  • Titanium white
  • Cadmium red light
  • Cadmium orange or equivalent
  • Burnt sienna
  • Yellow ochre
  • Alizarin Crimson
  • Ultramarine blue
  • Purple
  • Cadmium yellow light
  • viridian green
  • Olive green
  • Raw umber